En esta ocasión Rog nos permitió enviar un haiku además o en vez de un relato, y yo me vine arriba e hice ambas cosas. Bueno, en realidad primero se me ocurrió el haiku y construí el relato a partir de él.

The Last Second

As the blade plunges
Coldly my brain starts solving
My sudden murder

The knife enters my lung from behind.

«Left-handed,» I think, even before the pain registers and my brain starts sending muddled signals of danger and fighting and fleeing. Someone, evidently not me, tries to scream. The air goes out the wrong way and the sound turns into a strange, hissing gurgle.

I need to think about this.

Professor Accardi is left-handed, I think. So is Troy Gerson. I don’t know about Dr. Hong. Dr. Mencken, who is right-handed, could be smart enough to fake a left-handed stabbing.

But today is Wednesday: Mencken would not murder me on a Wednesday. It would be too complicated to explain why she is not at the Flesher Grant Committee Meeting. The Flesher Grant is her baby.

The motive is obvious and should be to everyone, even the police: I had announced my decision to cut off the money from the Sanderson Trust, which would jeopardise, if not outright kill, many current projects. Mainly Gerson’s, Mencken’s, Accardi’s and Hong’s.

Motive established, good. That leaves means and opportunity. Even as the blood starts pooling inside my chest cavity and I try, vainly, to turn around and see my murderer’s face, I think about means.

The cold from the second stab wound mingles with the pain from the first. My hands become wet with my own blood as I try, instinctively, to fight the arm that keeps me pinned against the murderer. Useless task, I know, but we’re, after all, animals. We fight to survive even if the brain has other priorities.

Why stabbing, I think. Messy, difficult, risky. Much better to try and run me over with a car, or throw me off a window perhaps. This smells of impulse more than cold premeditation. I find it is impossible to deduce the kind of murder weapon from the feeling of it in my back, even if I had more time to think about it. Which I don’t. 

First off, Troy Gerson or Elio Accardi are the ones who would have easy access to blades. Gerson works in the Archaeology Department, and I have a very vivid vision of the long, messy aisles in his basement department, chock-full of different iron, bronze and even stone sharp weapons. Hell, if he is quick enough he can lose the weapon again amongst the bric-à-brac and God knows if the police would find it soon enough, or at all.

And Accardi is a sucker for old-fashioned academia aesthetics: he loves mahogany desks, ink blotters, fountain pens, leather bound books, all that shit. And he keeps a beautiful silver and steel letter-opener in his desk, visible for all to see. I have personally seen how sharp it is. Of course, if Accardi was going to kill me, using his own letter-opener would be either supremely stupid or an impulsive move. My current hypothesis is ‘impulse’, so I work with that as the rapid drop in blood pressure makes me dizzy.

If the murder weapon turns out to be Accardi’s letter opener he’d immediately become the prime suspect, as he’s left-handed. How would he try to direct suspicion away from himself? Well, he’s friends with Hong. Maybe he’d say that Hong stole the letter opener from him and stabbed me.

My body is sending clear signals that I have no time to check complementary details like whether the murderer wears gloves to avoid leaving fingerprints. I need another way to disprove my current hypothesis.

Then it suddenly hits me, along with a wave of nausea brought by the pain as I feel my legs give way: Hong is not in campus today. She is at a biochemistry conference in Boston. Her presentation was being streamed. So Accardi can’t pin my murder on her. Good, I thought. We’re getting somewhere. I feel cold now. I also feel there is something I’m missing, apart from pint after pint of blood.

Come on, keep track: Accardi. He’s not an idiot. Among them all, he’s the one less affected by the withdrawing of funds, since he came with a grant from his own University in Italy. And he is the meticulous type: even if he wanted to kill me, he’d plan something subtle and clever. He wouldn’t use his own letter opener. It can’t be Accardi.

And what if the letter opener is not the murder weapon? I need to know. Too much rests upon that particular point. I have too little data and too little time. This is not going well.

The third, final, and entirely unnecessary strike hits my rib and bounces off.

This one really hurts. I must have grunted or made some noise through the pierced lung, or the useless throat; I don’t know which. Then I hear a noise, the clear ringing of metal on hardwood. The ringing of a sharp, silver-handled, steel-blade letter opener. It must have escaped the murderer’s grip, slick with my blood, when it hits the rib.

Exactly what I need.

Mencken and Hong have solid alibis. The fact that I’m being stabbed by Accardi’s blade gives me the final piece, since Accardi’s profile doesn’t fit this manner of murder.

It’s Gerson.

It fits as well. Gerson is smart, able to think fast in a pinch: the kind of man who’d try to redirect suspicions from himself by using a weapon that would point clearly in another direction. But not a man subtle enough to work beyond the immediate implications.

This gives me a name but precious little else. I cannot shout. I cannot fight. I already feel myself falling. Last chance. There must be something I can do.

He got me as I was entering my office. There are all kinds of books here. I contort muscles that are not functioning well and I put all I have left on making the shelves come into focus.

There. Principles of Archaeology. By Dr. Troy Gerson.

I don’t hear myself hitting the ground. I don’t know if I’ve done it. I hope I have.

I realise something else before everything goes dark, something tinged with urgency and a surprisingly sharp sadness.

Wait. 

Wait, I’m being

I’m being murdered

I don’t want to d

###

«Well, her back was turned,» the constable said. «She probably didn’t even know who hit her.»

«Isn’t her position a bit odd?»

«I couldn’t say, inspector. Probably not. Death throes and all that. Why?»

«Well, there’s a splatter of blood that doesn’t fit the rest. It goes toward that shelf. It looks, I don’t know, deliberate. See how the blood spattered towards a very specific point, as if thrown there deliberately?»

The inspector’s gaze goes from the letter opener, to the dead woman’s bloodied hand, and finally to the shelf.

«Let me see that book.»

La entrada The Last Second (NiaD 2025) se publicó primero en Daurmith.

Tame

1.

The ghosts were not sprouting.

Joanna kicked an old drink can, scuffing her Louis Vuitton pump. She didn’t care. She watched morosely as the can rattled and scraped across the cracked cement surface of the parking. Why wouldn’t the blasted things come?

She went into the main building through one of  the formerly bricked up loading bays. She tapped her phone, launched the Ghostprouted app, and held it aloft. The camera showed a purple-and-grey colorised, high contrast, starkly outlined image of a barren and decrepit industrial warehouse. There was a smattering of tiny yellow and orangish motes: background energy, no more.  The app remained obstinately silent: no little three-note chime that would indicate a nascent ghost. No coalescing, no presences, certainly no physical manifestations. She sighed: she would have to check all the seeds, one by one.

***

Ghosts had been a sensation three years back. It started as a huge world scare, reminiscent of the pandemic: manifestations of dead beings that jumped suddenly out of the fringe realms of pseudoscience and fiction and became a stark reality. There was religious panic, social panic, moral panic, philosophical panic and worse: economic panic. Many business ground to a halt as millions of dead worker ghosts manifested in a myriad ways.

There were translucent blobs, faintly humanoid auras, horribly realistic dead bodies, disembodied sounds, silent distorted apparitions: as all folklore and fear came alive, humanity reeled. 

During the first months, ghosts created more ghosts. 

People died of fright, and accidents skyrocketed. Drivers were surprised by former victims reliving their deaths on the road, construction workers fell to their death as they saw former construction workers fall to theirs. White collar jobs suicide rates went up as they were made aware of the pain lingering in the psychic makeup of their companies. 

After one year, ghosts created change. 

The ghosts stayed, never changing their endless death loops, and so governments and societies squared their shoulders, metaphorically, and adapted. New safety codes were written, special filters and screens were developed, new laws and social norms emerged. The ghosts were not leaving, so humanity learned to live with them.

On the third year, ghosts created money. 

Some daring entrepreneurs discovered that, given the right conditions, the terror of the ghosts could be marketable: people liked being scared in a safe environment, right? It was only a matter of finding the right balance between the nature of the ghosts — not too scary nor too tame — and the space they lived in: not too mundane, nor too frightening. 

So ghosts started to be farmed. You could transplant a ghost if you took the object they were more attached to: the rebar that pierced their heart, the weapon that killed them, the armchair where they died crying, alone and unnoticed. If you put that object in the right environment, even if it wasn’t the original one, they would thrive and take root. Or you could disperse them, eventually, if you took them someplace with no humans and no pain, where no stories had ever been told. This last technique was difficult and seldom attempted, except in the most extreme cases.

And ghosts could be tamed: some objects were not associated with a manifest ghost, but retained enough measurable energy to know that a ghost had been there. Researchers discovered that you could manifest those ghosts if you could create the right environment for them. Those ghosts were the safest: sad, tremulous entities, eroded by time and oblivion, barely tethered even to the half-life of a spectre. 

 Ghost Rooms were born. Groups of friends or coworkers were given a flimsy plot line so they could make-believe they were ghost hunters, and walked a maze-like old house, or an abandoned theme park, or a cold, dilapidated hospital. The tamed ghosts were kept in closed areas, behind safety screens and ghost-filters. And the users could be scared for fun. They could look at all that death and horror, and experience life through its opposite. 

It hurt no one. It was fun. It was real. And it saved a ton of money on actors and makeup.

Joanna wanted in.

2. 

Her business partner Brian had tut-tutted when he saw the factory.

«It’s too big, Joanna. And it’s not old enough.»

«The sixties is old enough, you old fart,» Joanna said. «And yeah, it’s big, but that means more visitors. Look at all the parking space!»

Joanna waved her arm to indicate the grey expanse of cement flanked by low cinderblock buildings on two sides and a tall, ugly brick building on the third. A faded logo in white, green and orange proclaimed this had once belonged to a fruit juice company. Strangely-angled lines of green sprouted from the cracks in the pavement. Someone had made a half-hearted effort at graffiti but left it unfinished. They clearly could not muster enough enthusiasm for the place. 

«It’s — boring,» Brian said. Joanna winced. It was.

«All the better, right? That means that only the tamed ones we bring will manifest,» she said. Brian nodded, clearly trying to show an enthusiasm he wasn’t feeling.

«Yes, of course. We seed them and when they’re well-rooted I’ll start working on some itineraries.»

«Not a Ghost Room, but a Ghost Theme Park,» Joanna breathed, eyes alight. «Think about it, Brian!»

«I am,» Brian said, wiping his glasses on his shirt. He put them on again, blinked, gave a good hard look at the lot. «We’ll need a lot of them.»

He was talking about ghosts, of course. Joanna nodded.

«I know. But I have it covered. I’ve bought tons of ghost seeds. I will plant them this weekend and the moment they sprout I’ll tell you.»

«Fine, fine. I’ll start working on some ideas.»

«Think big,» Joanna said, and smiled. This was going to be sensational.

«I will, if you think ghosts,» Brian said. «Remember that seeds are not always guaranteed. And that there’s a lot of fake seeds for sale out there.»

«I’ve made sure,» she said, a tad defensively. «All the seeds I’ve bought come with provenance.»

«Then it’s settled,» Brian said. He started walking back to the car. 

Joanna didn’t follow him immediately. She looked lovingly at the bricked-up windows. Pigeons flew over to hidden nests up in the second floor. The buzzing staccato of their wings always reminded her of someone using pruning shears, fwhip-fwhip-fwhip. It made her feel both relaxed and alone. Around the corner of the main building she could see some cement blocks, strewn as if thrown carelessly by a giant hand. She took in the shapes, the brown-and-grey palette of the whole area, the odourless dead air, and visualised ghosts into existence: lovely scary ghosts and happy visitors and food stalls and kiddie parks and a high-end café there. Surely this was the ideal place.

It will be great, she thought, firmly, and went after Brian.

3. 

Joanna remembered the conversation with Brian as she checked all the seeds through her app. No positive chimes, no indication on the screen. None of the seeds showed even the slightest change from when she had planted them, five weeks ago. Which was more than enough time for ghosts to sprout. 

But nothing was changing, not even with the bullets that she had procured through her contacts in the Dark Web. The sale of spent bullets, or indeed any murder weapon or part of a weapon as a ghost seed, was illegal, but she happily took the risk. Could she have been scammed? Probably. She kept hoping that not with each and every purchase, though.

She wasn’t happy; the seeds had taken a big chunk out of her budget. Especially since she had bought more after the first batch gave no signs of sprouting. Her checking became increasingly fast and frustrated. 

«Why don’t you give me anything!?,» she cried, angry, when the app stayed obstinately silent at a broken doll that had been one of her more hopeful purchases.

She still had the raised gallery to check: a metal walkway that went along three of the four walls of the main area. There was a chair there that had been tethered to a real, manifest ghost. That chair had to work. Thinking dark thoughts, she took the metal stairs up to the gallery.

She was on the last step up. Her heel went through one of the holes of the metal grating. She grasped the handrail by reflex.

The handrail, rusted and weakened, broke. 

She fell backwards, grasping at nothing. 

The fall was a blur, and the impact went completely unregistered by her shocked brain. She thought I’m gonna have to put some serious money into bringing this place up to code. Then she noticed she was on the floor. 

Okay, she thought. That was ridiculous. At least Brian isn’t here to see me fall on my arse.

The next thing she thought was Something’s wrong.

It should be hurting by now, and it was, but it was a strange pain: removed, vague. A sort of corrosive, vibrating pain that seemed defined by her head but not felt by her body. She was dizzy.

She saw her phone nearby. She tried to get it. 

Her body would not move. Her pulse throbbed in her ears. 

Something is very wrong.

Maybe it was just the suddenness of the impact, so she forced herself to relax and wait for the strange, remote feeling to pass.

She tried to stretch the hand she could see, extended outward to her side.

But the hand didn’t move. She couldn’t even tell the position of the rest of her body. Her neck hurt, now, fiercely. As her internal inventory kept rising red flags, her brain raced.

Calm down, calm down, it will pass. You’ll be able to move in a minute. 

Brian would not come to the property until Monday. But he would be expecting her call about the ghosts. She just had to get to her phone. She just had to move her hand.

By the time she realised her body would not move again, her phone rang. She could see the screen: it was Brian. 

She gasped, trying to tell the phone to answer. But she couldn’t make a sound. The phone kept ringing, then fell silent.

Her mind flopped inside her useless body like a dying rat, trying to will herself to move. Two feet. Only two feet. Her head jerked, as if it could drag the rest of her body with it. Her vision darkened. Too late, she realised she hadn’t been breathing.

The screen lit up. The logo of the Ghostprouted app showed up.

No.

The app offered a happy three-note chime.

No! No, I will not!

Two pigeons flew overhead. Their wings sounded like shears.

The Ghostprouted app chimed again in confirmation.

I 

                            will not be

                 a 

                                         tame

La entrada Tame (NiaD 2024) se publicó primero en Daurmith.

—Hola, es que se me ha roto. Lo he desinstalado y vuelto a instalar y nada.

—Pero oiga…

—He llamado por si podían hacerlo en remoto pero me han dicho que tenía que venir. 

—Sí, verá, es que esto es una zapatería y… 

—Lleva el sistema original, no he instalado nada raro, pero es que está súper inestable.

—Claro, tiene roto el tacón.

—Pero si tiene menos de dos años, ¿no está en garantía?

—Señora, que esto es un zapato.

—¿Entonces no me van a poder dar un equipo de sustitución?

Al final me sugirieron actualizar el hardware y cambiar el equipo por uno más moderno, pero les dije que no porque no quería cambiar todo el kit solo porque no funcionara un elemento, hasta ahí podríamos llegar.

Volví a casa a paso desigual, pensando en los pros y los contras del abandonware. Palomas mal programadas huían a mi paso.

La entrada Vida 2.0 se publicó primero en Daurmith.

La ciudad empezó a crecer entonces, y al principio nadie lo notó. Un ladrillo aquí y allá, un abultamiento en el cemento del parapeto de una terraza, algún brote de vigueta sobre un pilar desmochado. Pero el ladrillo se convirtió en hilera, el abultamiento se redondeó en un nuevo muro, la vigueta se alzó y emitió una junta, y poco a poco la gente empezó a comentar, medio sin creérselo, lo que estaba pasando en sus edificios. De la noche a la mañana aparecieron paredes pulcramente tendidas, con el cemento aún húmedo, y marcas en los terrados donde empezaban ya a asomar las primeras hiladas de ladrillos. Algunas fincas sólo criaron pequeños miradores con columnas en una esquina de los terrados y se detuvieron ahí, mientras que otras empezaron a lanzar más y más muros, tabiques, vigas y paredes. Tuberías y conducciones se abrieron paso hacia abajo como una extraña plaga de carcoma fontanera. Los elegantes edificios decimonónicos vieron desaparecer los remates de sus terrados bajo una nueva planta en la que ya se rizaban las volutas de los balcones de hierro forjado, y las paredes se fueron revistiendo de una suave piel de yeso lucido, delicadamente coloreada. Los edificios modernos crecieron rectos y severos, exudando láminas de cristal color lima y plantando puertas de aluminio lacado y luces halógenas que florecían con un suave plop. Algunas fincas crecieron dos y hasta tres pisos. Otras parecieron satisfechas con añadir una gárgola o una caseta en lo más alto, las más humildes se conformaron con alguna cenefa ornamental. Otras no crecieron en absoluto, rodeadas por hermanas que alzaban al cielo los nuevos remates de tejas recién brotadas, un poco tiernas aún, frescas al tacto.

Poco a poco, los curiosos se atrevieron a subir por las escaleras jóvenes, que aún olían a pintura, y a curiosear las nuevas dependencias. Descubrieron pisos vacíos, relucientes, con los suelos abultados por la inminente aparición del mobiliario: aquí asomaba ya un sofá de microfibra de color vivo, allá los armarios de una cocina empezaban a llenarse de vajilla, en el otro cuarto, pintado de azul claro, una pared se arrugaba preparándose para hacer brotar cortinas a juego. Las mesas de comedor se estiraron en los salones, y pronto perdieron la pelusa juvenil y se asentaron, pulidas y brillantes, con centros de fruta de cera o mantelitos de fibra de coco teñida. Tras un poco de esfuerzo todas las puertas consiguieron girar sobre los goznes y se abrieron a salitas y despachos, dormitorios y cocinas, trasteros y cuartos de baño, cuyos azulejos se coloreaban lentamente como fruta que va madurando.

Nadie ocupó las nuevas viviendas, porque aún había un leve aire de espera, de expectación, en los edificios rebrotados. Durante unos días todo pareció detenerse mientras se secaba la pintura y se asentaban los muebles y los muros de los edificios, y durante ese tiempo pararon las lluvias y salió el sol.

Los nuevos vecinos empezaron a aparecer entonces, alentados por la luz de melocotón y la suave brisa que hacía moverse levemente las cortinas apenas secas. Asomaron yemas en las paredes, sobre las alfombras, en algunas camas; al principio sólo parecían huellas de humedad, pero las manchas se abultaron y endurecieron, y fueron haciéndose cálidas y rosadas. Los cobertores se elevaron por el empuje de la nueva materia que se formaba lentamente bajo ellos. Muy pronto se empezaron a reconocer rasgos: aquí un hombro, allí una cabeza, en el sofá una pierna que se desprendía poco a poco de la tapicería y crecía hacia arriba, formando con paciencia una rodilla huesuda. Lampiñas al principio, desnudas, las pieles (rosas, blancas, tostadas, oscuras, tersas, arrugadas, moteadas o fofas) no tardaron en sombrearse con los primeros indicios de tejido. Algunos aparecieron ya a medio vestir, otros no tardaron en lucir elegantes chaquetas o camisetas de colores vivos antes incluso de salir de la pared, desde la que asomaban como extrañas hortalizas multicolores.

Los nuevos vecinos resultaron ser gente amable, que no se tomó a mal el constante flujo de curiosos; saludaban cortésmente, dando las gracias a las familias que pasaban y que les traían alguna cosita mientras no germinaran del todo; una revista, una mantita, o una empanadilla para entretener el hambre. No era molesto, decían, cuando les preguntaban cómo era eso de estar surgiendo de las paredes o desde el interior de la bañera. Un poco como cuando se te queda dormida una pierna, dijo una mujer mayor con bata que brotaba con mucha decisión de un coqueto sillón de orejas.

Y antes de que nadie se diera cuenta, los nuevos vecinos dejaron sus lechos de cemento y esmalte y fibra de vidrio y empezaron a deambular por sus nuevas casas, en sus nuevas fincas, bajando a la compra y saludando por la escalera y llevando a los niños al parque. Parecía que la ciudad ya no sentía la necesidad de crecer más, y la gente suspiró, miró una vez más las partes brotadas, se encogió de hombros, y volvió a la rutina. Nadie sabe por qué la ciudad decidió crecer de pronto; quizá sentía que le faltaba algo, que había cosas que le quedaban por hacer, gente que necesitaba tener dentro, sangre que llevar en sus venas de hormigón. Nadie sabe por qué surgieron los nuevos pisos ni los nuevos vecinos, aunque nadie se queja por ello.

Pero algunos se preguntan de vez en cuando, mirando una ventana reluciente que todavía lucha para acomodar un ángulo complicado, si realmente el fenómeno se ha detenido. Y hay quienes vigilan, inquietos, a los nuevos vecinos, esperando quizá que una ciudad nueva empiece a brotar a partir de ellos: huesos estallando en pilares, piel endurecida en ladrillos, músculos hechos viguetas y bovedillas, venas y arterias convirtiéndose en bajantes, canalones y tuberías, ciudad nacida de la gente como antes la gente nació de la ciudad.

La entrada Nuevos vecinos se publicó primero en Daurmith.